Popel Coumou (1978, Velsen) is a photographer and a visual artist, using mixed media. Popel Coumou builds her own reality. Layer after layer she has always made two dimensional collages of photographs, paper, clay, photographs and many other materials. The pieces are carefully lit from the back and captured with an analogue camera, giving it a third dimension and bringing it to the border of reality and fiction, and photography.
Photographer Popel Coumou (1978) has made an installation for the Fotomuseum (Museum for Photography) in which she focuses on the modern architecture. The simplest physical constructions – handmade collages and miniatures – are transformed into intriguing, dreamlike images that compel the viewer to question what they see. Using only paper and light, Popel Coumou creates a sense of being suspended in space and time. She questions our perception of space in her photography-based artworks.
About - Popel Coumou
She interprets physical limits of vision as one of the origins of abstract art, echoing steps taken by her illustrious predecessors from De Stijl, such as Mondrian and Van der Leck. Popel now combines landscape photography and paper with abstract lines to create new detailed compositions. She brings us the world in its purest state. Popel Coumou - Huis Marseille
Short text about Popel Coumou: Slight shadows cast by layers of paper, suggestions of space and missing visual information keep you guessing. The simplest physical constructions – handmade collages and miniatures – are transformed into intriguing, dreamlike images that compel the viewer to question what they see. Popel, Popel Coumou - TORCH gallery
Popel Coumou is a Dutch Postwar & Contemporary artist who was born in Numerous key galleries and museums such as Torch Gallery have featured Popel Coumou's work in the past. The maker's first piece to be offered at auction was "Untitled" at de Zwaan Auction House in Popel Coumou: Using photography and collage to alter reality ...
Popel Coumou is a Dutch photographer who’s work has been collected and shown by Gemeente Museum Den Haag, Het Domein, Foam, Huis Marseille, Statoil, the Dutch Ministry, AMC and Dela. Recently her work is shown in Art Centre Mechelen, Belgium and at Photo Dubai.
Popel Coumou - Overview | Keijsers Koning Popel Coumou is a Dutch Postwar & Contemporary artist who was born in 1978. Numerous key galleries and museums such as Torch Gallery have featured Popel Coumou's work in the past. The maker's first piece to be offered at auction was "Untitled" at de Zwaan Auction House in 2023.Popel Coumou - Torch Gallery Popel Coumou is a Dutch photographer who’s work has been collected and shown by Gemeente Museum Den Haag, Het Domein, Foam, Huis Marseille, Statoil, the Dutch Ministry, AMC and Dela. Recently her work is shown in Art Centre Mechelen, Belgium and at Photo Dubai. Her work has been recognized through.Popel Coumou - Biography, Shows, Articles & More | Artsy Popel Coumou builds her own reality. Layer after layer she has always made two-dimensional collages of photographs, paper, clay, photographs, and many other materials. The pieces are carefully lit from the back and captured with an analog camera, giving it a third dimension and bringing it to the border of reality and fiction, and photography and painting. In her earlier work, her pieces. Popel Coumou - Gallerease
Popel Coumou has a multilayered view of reality—literally. The Dutch photographer/multimedia artist uses collage as a way of expressing, and often altering, her idea of reality.
In search of the essence – Popel Coumou
Popel Coumou (, Velsen) is a photographer and a visual artist, using mixed media. She graduated from the Rietveld Academy, Amsterdam, in She produces alienating photographs of dreamy bedrooms, dusty corridors, deserted office blocks, covered with geometrical forms and taut lines. Popel coumou biography definition3
Over the course of her research into the perception of space and reality, Popel Coumou’s images have increasingly evolved towards abstraction and simplicity. It is as if she is seeking to get ever closer to the essence of her work – and of photography itself.